Information About the 4K Red One Digital Cinema Camera

The RED One is a 4k digital film camera from RED Digital Cinema. It offers an unparalleled flexibility to accommodate all types of production styles from cinema to ENG. Utilizing a proprietary 4k super 35mm size sensor, the RED One is able to deliver 4k red camera 4kimages at a variety of frame rates. The 12bit sensor produces images in their native RAW format giving you impressive range and unmatched flexibility in post production to manipulate your images.

Below is a quick guide to how the Red One Camera clearly outstrips all the competition hands down.

digital camera sensor size recording format
RED ONE 4096 x 2304 4K - 4096 x 2304
Panavision 5760 x 2160 HD 1080p - 1920 x 1080
Arri D20 2880 x 2160 HD 1080p - 1920 x 1080
Sony F900 1920 x 1080 HD 1080p - 1920 x 1080
Sony DigiBeta 980 x 1164 SD - 720 x 576

Bit Of Blurb About The Red One Camera

1 x BNC to DIN 1.0/2.3The RED ONE™ body – designed for flexibility and functionality. Weighing in at 10 lbs, this is a streamlined package specifically designed to maximize your shooting options. Matched with a 35mm PL lens mount, it allows you to take advantage of the world’s finest optics.

red one camera

Typical high-end HD camcorders have 2.1M pixel sensors and record with 3:1:1 color sub-sampled video at up to 30fps. RED offers the Mysterium ™ Super 35mm cine sized (24.4×13.7mm) sensor, which provides 4K (up to 30 fps), 3K (up to 60 fps) and 2K (up to 120 fps) capture, and all this with wide dynamic range and color space in 12 bit native red one 4kRAW. At 4K, that’s more than 5 times the amount of information available every second and a vastly superior recording quality.

In addition, you get the same breathtaking Depth of Field and selective focus as found in film cameras using equivalent 35mm P/L mount lenses. Mysterium ™ boasts greater than 66db Dynamic Range thanks to its large 29 sq. micron pixels. And 12,065,000 pixels deliver resolution that can only be called Ultra High Definition.

Shoot lightweight EFP style (body around 10 lbs., in rugged aluminum alloy) or load it up to shoot a feature film. Options include RED-RAIL™ mounting accessories that “grow” the camera body. Configure for tripod, crane or long lens applications. High-resolution RED LCD and EVF monitors come equipped with advanced tools for framing, exposure and focus.

RED ONE digital cinema CAMERA CAPTURE OPTIONS
2K 2:1 2048 x 1024 4K 2:1 4096 x 2048
2K 16:9 2048 x 1152 4K 16:9 4096 x 2304
2K Anamorphic 1382 x 1152 4K HD 3840 x 2160
3K 2:1 3072 x 1536 4K Anamorphic 2764 x 2304
3K 16:9 3072 x 1728 4.5K 4480 x 1920
3K Anamorphic 2074 x 1728  

 

The RED ONE™ body and RED-RAIL components provide numerous mounting points to allow hundreds of optional RED and third party accessories… some that haven’t even been dreamed of yet. Choose between the convenience and durability of recording directly to Compact Flash, in-camera, or outputting signal to RED FLASH DRIVE or RED DRIVE (RAID) for even longer recording options.

Visit the site: http://www.red.com